originally posted at https://canmom.tumblr.com/post/163106...

So, we saw Beatrice manipulating Shannon into being a loyal ally/servant, Kanon being suspicious, and now, we have a scene with Kanon and Kinzo. Kinzo wants to go for a walk without being distrubed.

Kinzo and Kanon standing together in the rose garden. Kinzo is saying “That won’t be necessary. ……You should leave me alone for a while. If my children ask, say that you do not know where I am. I am busy on a journey through my own thoughts.”

*wanker hand motion*

So, naturally, he is going on about Beatrice. It’s not all that clear how far this is set before the events of the first episode, but right now he’s trying to work out how to revive Beatrice and see her smile again etc. etc.

Now that we ‘know’ (or at least, have been shown) that Beatrice is active, but only visible to Kanon and Shannon, and Kinzo has no talent for magic, I guess we understand that he could presumably only see Beatrice when he made that contract?

We get a new drawing of Kinzo:

Kinzo facing the camera crying heavily. The narration says ‘When he did, ………right behind his isolated old master, ……was the silhouette of a person that shouldn’t have been there.’

Naturally, Beatrice is watching. To Kanon, she looks like she pities Kinzo.

Beatrice repeats the line ‘without love, it cannot be seen’. I expect we’ll hear it again.

So ‘without love, it cannot be seen’. The people who can see Beatrice that we know about are Kanon, Shannon and Maria. If non-romantic love is included, Kanon and Shannon’s love for each other might count. But then, there are a number of family relationships that would surely also qualify. For example, however she treets everyone else, Eva seems to genuinely care for Hideyoshi. And even if Krauss treats her as disposable, Natsuhi seems to care for him. As far as we can tell, none of them can see Beatrice though.

I think we’re not getting the whole story.

Anyway, we get some new backgrounds at last, as Jessica’s school holds its cultural festival.

An image of a school lobby, decorated with colourful handmade posters and balloons. The narration says ‘The biggest event for the Ushiromiya family in fall was the family conference in October, but for Jessica, there was another one before that: the school cultural festival.’

Wikipedia says this usually happens on Nov 3, but it is before October here.

Jessica’s going to be performing ‘casual pop-rock on a temporary stage’. Cool, maybe we’ll hear it. That would explain the shot in the opening sequence of Jessica performing on stage.

She also seems to have a date? Or at least be waiting for a boy to show up. We hear a bit more about her school friends Hina and Rin, mentioned in her earlier scene with Shannon. Mostly that their boyfriends are considered attractive. The narration says that at Jessica’s school, the festival is a ‘boyfriend exhibition’.

There’s some unfamiliar terminology: we get ‘hard S with glasses’ for a smart boyfriend, though Rin insists he’s actually a gyaru-o, a particular subculture. They ask Jessica what ‘type’ her (fake) boyfriend is, though I guess that’s probably translation sounding more formal than the original, they’re just asking what sort of person he is.

There’s no voice acting or art for Rin and Hina [2022 edit: at some point it seems voice acting was added], though their lines are accompanied by various ‘ting’ sounds.

Flashback to Shannon. She suggests Jessica should bring a fake boyfriend. This sounds like a fanfic.

Shannon, of course, suggests Kanon. I guess two can play the ‘aggressively ship their friends’ game.

Jessica and Shannon in Jessica’s room. Shannon is saying “If Kanon-kun isn’t pulled away, he’ll always just be shut away by himself, so I think forcibly dragging him around a bit would be perfect.”

Shannon, it turns out, has taken a leaf out of Beatrice’s book of manipulation.

Shannon saying “…Oh, sure, sure, that may well cause you to experience some shame, but you would only have to endure for the short and yet oh so loooong time before graduation. To those couples in love, there’s no sweeter honey than the face of a single person with an inferiority complex.”

They’re pretty sweet together even if it’s a Bechdel test failing scene.

Narration saying ‘Shannon and Jessica were about the same age, of the same sex, and they were also friends.’

Out of context, this sounds like the narrator is trying to justify a ship between them.

The narrator explains that Jessica has been into Kanon for quite some time now. Shannon calls her ‘tsundora’, which the notes explain is basically a tsundere pun.

Some explanatory text from the grimoire: ‘Tsundora is the word “tundra” converted into the Japanese sound system. It is used as a pun and a reference to the term tsundere, which is a well-known character personality trait in fictional Japanese works.

Tsundere is composed of two words, tsuntsun and deredere, meaning respectively “aloof or cranky” and “lovestruck”. It is used to describe characters that demonstrate an aggressive and/or cold behavior (tsuntsun) but then become all lovey-dovey (deredere) under some circumstances.’

She makes a rather meta joke about how much the tsundere archetype will become popular among fans of anime/VNs:

Shannon saying to a blushing Jessica “People who aren’t honest about their feelings, such as you, Milady, …what was that word again, I learned it from George-sama. That’s right, they call them ‘tsundora’. Apparently they will be quite popular a few decades from now, you know?”

The dialogue gets even more borderline-fourth-wall-breaking as Jessica comments on George’s supposed ability to predict future trends. But anyway, onwards with our fanfic plot.

So it is more than awkward enough for Shannon to date George, but for Jessica and Kanon to date has the additionall issue that Jessica is Kanon’s boss (or close enough to it). Dating your employee is… dangerous territory, isn’t it. Like Kanon’s not easily going to be able to say ‘no’ when Jessica asks him out, because she can punish him or get him fired just by asking Natsuhi. She at least doesn’t put a lot of pressure on Kanon, but still.

Shannon, on the other hand, has been pushing very hard, so Kanon goes along with it, wondering if the brooch played a part in this.

Kanon turns up dressed like a Final Fantasy character.

Kanon in the school, dressed in a black jacket fastened with small belts, with a very high polo neck fastened with a slightly more complex belt. One of Jessica’s friends is saying “Omigod, that's Jessie’s boyfriend?!”

Jessica’s friends all comment on his age. There’s something about Kanon referring to himself with the pronoun ‘boku’ that Jessica’s friends find cute. Wikipedia says:

Used by males of all ages; very often used by boys. Perceived as humble, but can also carry an undertone of “feeling young” when used by males of older age. Also used when casually giving deference; “servant” uses the same kanji ( shimobe). Can also be used as a second-person pronoun toward male children (English equivalent – “kid” or “squirt”).

Also Jessica using the ‘kun’ honorific, and when Kanon calls her ‘milady’ (which her friends interpret as her making him refer to her as if he’s a butler), and then when told to stop, uses ‘sama’.

The sound effects are… kind of wild here. Like thunder crashing and stuff. Jessica asks Kanon to close his eyes (her friends think they’ll kiss) and then we get a bunch of onomatopoeia.


…which turns out to be Jessica pushing all her friends against the wall with brass knuckles!???

Jessica in a green school uniform saying “There you go, you saw, right? You saw, happy now?! Wahahahahahahaha, sucks for you!!!”

So yeah, Kanon gets objectified for fucked up status games.

One of Jessica’s friends catches on…

Dialogue: “That wasn’t a boyfriend, right, she’s just harassing one of her servants, right?”
Words from the future

The word used here is ‘power hara’, i.e. ‘power harassment’, not a rare term from what I’ve seen of JP media. Earlier one of the girls refers to Kanon as a shota, translated here as ‘I didn’t know Jessica liked young boys’ by the giggling girls. The game is being pretty upfront about the dynamics here!

Kanon has been ordered to snitch on Jessica’s unreserved behaviour to her parents and Kinzo, but thinks about how to frame it to protect her. He doesn’t like noise and crowds. (autistic trans daughter <3 …I haven’t been using she/her pronouns for Kanon but I’m tempted tbh)

Kanon is the subject of stares and whispers and is hit on a few times, to his frustration. It’s an interesting (and plausible) illustration of objectification and harassment working along different power lines than usual. [Oh you poor naive thing - 2022 Bryn]

Anyway, Kanon observes gender dynamics as a bunch of men show up to watch the performances. Jessica comes on stage in…

Jessica standing on stage in front of a drum set, wearing a pale blue off-the-shoulder dress with a large heart shape emblazed on the front and lots of lace, and a complicated hair decoration. The heart shape has four red lines that all cross at a point, with white outlines, much like the Union Flag of the United Kingdom. The narration says ‘The leader was Milady. She had changed into stage clothes, and was even holding a guitar. ……I didn’t know she could play.’

…a union flag dress???

Jessica’s voice acting is filtered as if she’s speaking through a stage mic, which is a nice touch. The piano music in the background is a somewhat more questionable choice.

A dramatic CGI of Jessica singing into a microphone under flaring stage lights. The narration says ‘On the stage, Jessica-sama also sang enthusiastically, dripping with sweat.’

But perhaps it’s contrast, because we get Jessica’s song at last and Kanon comments on how different it is to Rokkenjima’s usual classical music. She turns out to be very popular. I can’t find an upload of the song she sings, unfortunately, but it’s not bad?

Kanon muses on how important this may be to Jessica, and how limited the life on Rokkenjima is.

Speaking of Rokkenjima, we go to Natsuhi, who has gone home rather than watch Jessica’s performance. She was much more interested in the important people who turned up at the festival to talk to the Ushiromiyas.

Jessica blushing slightly as Natsuhi says to her “You appeared with both composure and dignity. Fitting behavior for the students’ representative.”

Natsuhi lies to Jessica about having watched her performance. No doubt this description comes from Kanon lying to cover Jessica.

OK, no, she’s not lying, the narration explains Jessica appeared in the opening ceremony and Natsuhi is commenting on that, not the performance as Jessica assumed. It hits Jessica harder than she expected and she goes to the garden.

Thankfully Kanon arrives to give a genuine complement. Some of his own stuff comes out…

Jessica in the rose garden at night saying “……Kanon-kun, seriously, enough with that phrase ‘I am furniture’… That’s some kind of servant’s mentality, right…? That ‘servants should be living furniture’ thing. …Genji-san says it a lot.”

Jessica finally addresses the furniture thing. She’s surprisingly astute about Kanon’s feelings about her performance.

She accuses Kanon of ‘giving up’ on life outside the stifling roles given to them. Easy for you to say, Miss Bourgeoisie Whose Humanity Is Never Questioned.

Dialogue from Jessica: “Yeah. ……Kanon-kun, you’ve been telling yourself ‘I am furniture’. ……I’m sure there’s been many tough things that have forced you to tell yourself that.”

…she talks about her ‘other self’ who enjoys music and life outside the Ushiromiya head role. And says to Kanon…

Jessica: “You know, people can always make another self inside themselves that they can really grow to like. This isn’t escaping from reality, okay? ……When I’m that other part of myself, I can really feel like I’m living a great life.”

Fuck, this is trans.

They go over the concept a few times, and then Jessica asks Kanon’s real name.

Kanon: “……I forgot. …My name doesn’t matter anymore.”


Kanon saying “…You are human, Milady. So you are free to live any way you like, and any kind of future is possible for you. It’s almost like you have wings and can dance through the sky like a bird. But I am not like that. Even if you see me as a bird, I am nothing more than a domestic duck. ……They may have wings, but they cannot fly.”
Kanon, now angry, continuing “To speak of that dream of flight despit ethat, ……that’s just…too cruel…!”

This honestly makes me want to cry.

Jessica acknowledges she doesn’t know Kanon’s life, how the ‘furniture’ narrative was inculcated. But she insists Kanon is human.

So many people I know convinced themselves of things like Kanon did. In my worst moments of depression and anxiety, I get some of it a bit too. Whatever else, this game has captured that.

Kanon is able to recognise Jessica is into him. He says any relationship between them would be a delusion, and Shannon and George’s relationship will fall apart too. Jessica insists George will resist all that pressure.

Kanon explicitly rejects her - ‘furniture cannot love humans’.

Kanon and Jessica in frame, both looking sad in different ways: Kanon regretful but resolute, Jessica crestfallen. Kanon is saying “……Milady, if your feelings for me are due to my conceit, then I beg for your forgiveness.”

Kanon thanks Jessica for thinking of him as human, but repeats that anything more would be ‘too cruel’. Jessica leaves…

Dialogue on a black screen: “…………Nice going, making a woman cry like that. *cackle*cackle*. I didn’t expect you to refuse her that strongly. ……Had you answered normally, another pair of lovers would have been born from my magic.”

And Beatrice shows up. Oh no.

Next time: we find out what she has to say.


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